I am an Iranian Ceramist, was born in 1975 in Neishabour.I studied physics- mathematics in Ferdowsi high school of Mashhad , but after graduation I found arts more interesting. In 1997, I entered Zahedan College of Arts to study Handicraft with concentrating Ceramics . In 2004, I was accepted in Tokyo GEIGUTSU DAIGAKU (Tokyo University of The Arts ) as a research student in Ceramics.Currently,I am ph.D candidate in Tokyo GEIDAI.More
The image of the potter's hands throwing a pot on the wheel tells us that the process of making is of great value: that it's a kind of magic. Think of where we see demonstrations of potters at work-it's often at fairs or festivals: making is spectacle, drama, a sort of performance art that does not happen inside art galleries. It's immediate and involving: children in particular seem entranced by its' transformations. Think of where we come across potters: where is their natural habitat? The commonplace images are that potters make only in the country side, that potters are, in some sense, closer to their raw materials, or to their inspiration, outside cities. But where has this idea come from? These principle images also tell us what kinds of pots we think are interesting, what kinds of pottery we think are decorative or useful. Do we think there is a difference between pots made by hand or by machine, painstakingly or in great quantity?
Pottery is one of the most beautiful arts .It is so relaxing and enjoyable. I really don't notice how the time passes while I'm doing that. Pottery is just amazing!!So,let's to start:
